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All recent posts - tagged with 'blogging from the road'
Blogging from The Road: Denver Center for the Performing Arts
Posted by Emily Bowles, 4 days ago - 0 comments
Tags: blogging from the road

Denver turned out to be a very, very busy gig.  In addition to it being a six-week run -- the longest I had done with the tour so far -- we were also raising money for Broadway Cares/Equity Fights Aids.  I happily volunteered to be a part of an amazing fundraising event called WICKED ROCKS!, which had a successful night at the Bluebird Theatre.  I am proud to say that the cast was able to raise $235,000 in Denver and Cleveland combined.  We thank you, Denver, for the generous support!


With this being our third visit to the Denver Center for the Performing Arts theatre, and with a longer run and a few snow storms, I was not sure we would have full houses every night.  But never doubt the power of the WICKED!  Even under winter weather advisories, the show must -- and did -- go on, to packed houses nightly. 

 

A wonderful thing about working on the road is getting reacquainted with people you haven’t seen for some time.  I have had the great pleasure of spending time with friends and family that I would not have been able to see if I were staying put in one city.  It’s so amazing, and Denver was no different.  While we were there, I was able to see an old high school buddy, Angela Bui, and I got to celebrate my uncle’s birthday with him and my cousin. 

 

The Denver Center for the Performing Arts was wonderfully accommodating and the theatre was easy to navigate.  I was, however, absolutely NOT prepared for the elevation- and altitude-sickness.  The company managers had warned us to take precautions: to stay hydrated and to not be afraid to use the off-stage oxygen tanks whenever we needed.  That still did not prepare me for opening night, when I was actually unable to perform due to altitude sickness.  I returned to work the next night, but had what I can only describe as the hardest performance I have ever experienced.  At one point the lack of oxygen proved too much for me.  It was impossible for me to breathe, let alone catch my breath to sing.  I would like to take this time to thank my cast for being patient with me and basically carrying me on their shoulders.


On a happier note, the beginning of the holidays arrived while we were in Denver, and I was "booed"!  For most of our run in Denver, the cast took turns secretly decorating each other’s stations with Halloween treats and ghosts and goblins.  We also attended a lovely Halloween costume party hosted for us at the Denver Performing Arts Complex.  I went as Olympic gymnast Dominique Dawes.  Thanks for the great idea, Ryan!


Although Denver was an awesome city to play, six weeks was a good while and we were all ready for a change.  See you in Cleveland!

 

Courtney Jones worked at NYCPAS as Assistant to the Director for two years before embarking on the national tour of “WICKED” as an ensemble cast member. She is a graduate of SUNY Purchase College and has danced professionally in New York City with Jennifer Muller/The Works, among others. This is her ninth blog from the road (click "blogging from the road" in our tag cloud [right column] to see all her blogs!).

Blogging from The Road: Paramount Theatre, Seattle
Posted by Emily Bowles, on February 6, 2010 - 0 comments
Tags: theatre, performance space, blogging from the road

Courtney Jones worked at NYCPAS as Assistant to the Director for two years before embarking on the national tour of “WICKED” as an ensemble cast member. She is a graduate of SUNY Purchase College and has danced professionally in New York City with Jennifer Muller/The Works, among others. This is her eighth blog from the road (click "blogging from the road" in our tag cloud [right column] to see all her blogs!).

 

Believe it or not, five straight weeks of sunshine in San Diego left me yearning for a gloomy day, so heading to Seattle was actually quite exciting.  The moment I stepped into downtown Seattle, I immediately felt rejuvenated.  I remember thinking if my alma mater, SUNY Purchase, were its own city, it would be downtown Seattle.  Youth groups rallying on the street, local musicians playing their music on every corner and lots of energy. 

I was so inspired by Seattle that I did something I had not done since I had been on tour.  I contacted an old professor of mine who I knew had completed his MFA in Dance at the University of Washington to find out if there were any dance studios where I could take a class as a visitor.  He referred me to a wonderful space called Velocity Dance Center (thanks, Michael!). 

Professionally, Seattle brought changes to the cast of Wicked: we said goodbye to both Myra Lucretia Taylor, who played the lovely Madame Morrible, and Lenny Wolpe, who played The Wizard (see photo of cast on their final performance).  And we welcomed Randy Dawson and Richard Kline of "Three’s Company" fame!

 

The Paramount Theatre had a lovely charm, however the backstage layout proved to be more than difficult.  With only one elevator and the women’s ensemble dressing room on the fifth floor, visits to and from the dressing room were nearly impossible.   If you did decide to wait for the elevator, you would be waiting a very long time and risked the possibility of getting trapped, which happened on more than one occasion (sorry, Shanna!).

Since we were in the “Emerald City” and had played the house before, the audiences were knowledgeable and really great.  The staff members at nearby restaurants were used to our time constraints between shows -- they showed us great respect, and got us in and out with lovely service.  I would also like to thank the Taphouse Grill for letting me celebrate my 28th birthday there with the entire cast -- we had an awesome time. 

For those who have never visited Seattle, make sure you make it down to the Pike Place Market and, although I regretfully did not make it there, don’t forget the Space Needle.  Seattle was a beautiful and exciting city to play.  Thanks, Seattle.  I will definitely be back!

Blogging from The Road: Civic Center, San Diego, CA
Posted by Emily Bowles, on October 12, 2009 - 0 comments
Tags: blogging from the road

Courtney Jones worked at NYCPAS as Assistant to the Director for two years before embarking on the national tour of “WICKED” as an ensemble cast member. She is a graduate of SUNY Purchase College and has danced professionally in New York City with Jennifer Muller/The Works, among others. This is her seventh blog from the road.

 

I was VERY excited to go to California.  I had been there once before on a family vacation, but I was quite young at the time and hadn’t been since.  San Diego in August was almost unreal.  With the exception of a few random hot days, the weather was absolutely perfect every day (especially considering we had just come from Tempe, AZ temperatures!). 

 


San Diego's Civic Center was a bit challenging in some ways and convenient in others.  The challenge, as with many other theatres, was the location.  All of the theatres I have played so far have been located in the downtown areas.  Although downtown San Diego has shops, coffee houses and restaurants, which the cast absolutely enjoyed (thanks to Currant, a beautiful between-shows hot spot!), downtown areas can also prove difficult to navigate and safety can be an issue.  With that said, the cast did a great job keeping tabs on one another and making sure everyone had a walking buddy.


I was super excited that this theatre actually had a rehearsal studio on site!  Unfortunately with the exception of the opening week, a lot of other groups' rehearsals were scheduled during our run at the theatre, which meant the space was unavailable for warming up.  This was quite unfortunate since there was absolutely no other space for the dancers to really get a good warm up -- only a tiny area near the physical therapy room and on deck, which is never easy as the crew is setting up for the show.

 


San Diego's Civic Center, like the Gammage Theatre in Tempe, lacks a center aisle (this configuration is called "continental style" seating and requires some preplanning by audience members for comfort and convenience...). 

 

 

The backstage area was spacious and the dressing rooms were in close proximity with few stairs to tackle.  With the exception of the huge crowds outside the stage door after performances, this theatre was quite accommodating. 

 

I got to see some unbelievable sights while in San Diego: Coronado Beach was absolutely amazing and when our producer gave the entire company VIP passes to Universal Studios (see photo), I knew I had hit the big time!  Overall, San Diego was a pleasure to play and may be my new favorite vacation location.

 


 

Blogging from The Road: The Gammage Theatre,
Tempe, AZ
Posted by Courtney D. Jones, on September 16, 2009 - 0 comments
Tags: blogging from the road

I will try my best not to complain about the heat in Tempe and limit my comments to this: imagine standing in 100-degree heat with a wool sweater on, drinking a latte under a blow dryer.  You still wouldn’t be quite as hot as it was in Tempe in July.  There.  Now on to the theatre!

I am not sure if it was because the theatre is located on the Arizona State University campus or if the audience members were of a younger generation, but almost every night at the Gammage Theatre felt a little like a rock concert.  From the opening of the show, the audience was screaming at the top of their lungs -- and this began with the announcement to turn off cell phones.

I was “swung out” of a performance during our run at the Gammage Theatre.  This means I was asked by a fellow cast member to sit out of a performance in order for that particular castmate to get a chance to perform.  This is always nice because you get the opportunity to watch the show with the audience and experience the moments that you normally help create.  This particular theatre was more like a stadium, which caused quite a field day for the sound department who had to go to great lengths adjusting the sound levels so that the vocals did not sound muzzled. 

Another "interesting" characteristic of the house was the lack of aisles (see photo!).  This meant bathroom breaks were difficult and the movement of people was, at times, a bit of a distraction for the performers and audience members alike.

The backstage area was spacious and I absolutely adored my dresser who became my fast friend.  The cast enjoyed the convenience of the dressing rooms being on stage level, but hated the hike to the hair department  -- when returning your wig at the end of a performance it meant climbing three flights of stairs. 

Another difficult process for the cast was parking at the venue.  Tempe is a definitely a “car city”.  For us this meant that if you chose to stay in the company housing, company management had to provide a car that was to be shared by four castmates since the housing options were not within walking distance.  I did not stay in company housing but did have a rental car of my own.  On the few occasions when I had early rehearsals or reasons to be at the theatre before 5:00 PM, parking was a problem.  Summer school was in session at ASU and for some reason the cast was not allowed to park in the theatre lot until after 5:00 PM.  The lot we were allowed to use was a walk from the venue and in 114-degree heat, this felt like torture.  Thank goodness they kept the theatre nice and air-conditioned. 

 

Overall my run in Tempe was a great experience, but next time I’ll do as the locals advised and visit some time other than July!

Blogging from The Road: The Majestic Theatre, San Antonio
Posted by Courtney D. Jones, on August 25, 2009 - 0 comments
Tags: blogging from the road

Let me start by saying that I am a Texas native, so I was, of course, elated to be performing in Texas -- not in my home town but close enough that my family and friends would finally get to see what had been keeping me on the road for four months.  With that said I guess the next statement is pretty obvious: the Majestic Theatre was by far my favorite theatre EVER!


 

 

 

 


 

 

 

 

 

 

 

 

 

Some felt the interior of the theatre was a bit over the top, but I absolutely loved it.

All "Wicked" audiences are pretty awesome but southern audiences are exuberant from the beginning.  It could be that the Majestic can be much like a movie theatre, complete with concession stands in the lobby, or that I was so happy to be home, but for the entire month of June I felt completely supported by the audiences' laughs and applause.


On the night my family attended, the energy was amplified by the fact that our Glinda the Good Witch, Ms. Katie Rose Clarke (also a Texas native), filled the houe with family and friends as well.  That night was one I will never forget.  This was the first time my family was getting the chance to see a Broadway show, let alone their youngest performing in one.  Emotions were running high and from the opening curtain I tried telling myself not to cry, but every second I caught my father’s eyes or saw my sisters' and brothers' smiles I could not help myself.  After the show, I gave my family a private backstage tour and we headed to the Riverwalk for dinner.



Though I enjoyed every moment of my San Antonio experience, there were a few technical difficulties to the theatre.  The backstage area was a tight squeeze, so tight that all the gondolas, physical therapy station and the drummer in our orchestra were actually in a separate, abandoned theatre, connected by a single doorway.  This was not a typical nor ideal setup, but did the job overall.  The Majestic Theatre was a pleasure to play.

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