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NYC Performing Arts Spaces Blog

All recent posts - tagged with 'economy'
The Work Office (TWO) is Now Hiring! Wait, $23.50 in Weekly Wages?
Posted by Emily Bowles, on June 16, 2009 - 0 comments
Tags: economy, chashama, multi-disciplinary, call for applications

The Work Office (TWO) is a multidisciplinary art project disguised as an employment agency.  Informed by the Works Progress Administration (WPA) of the Great Depression in the 1930s -- and made possible in part by chashama and a grant from the Black Rock Arts Foundation -- TWO is a gesture to “make work” for visual and performing artists, writers, and others by giving them simple, idea-based assignments that explore, document, and improve life in New York City.

 

From a temporary, publicly accessible storefront office, TWO's administrators will hire employees, exhibit work, and distribute Depression-era wages during weekly Payday Parties.

You are invited to submit your application online, be interviewed, and, once hired, choose one of TWO's assignments:

 

* Build a bridge

* Make a regional travel guide for your block or neighborhood

* Record an oral history

* Reinterpret a newspaper photograph

* Design a poster to promote something

* Make a mixed CD related to...

* Catalog existing WPA structures in New York

...and more! 

 

You will have one week to complete your assignment, for which you will be paid $23.50 (now, before you sarcastically shout, "woo hoo!", know that $23.50 was the weekly wage for an artist in the Federal One Project, the arts division of the WPA).  TWO will hold a Payday Party each Friday evening in July at the office.  Employees will collect their wages and the public will be invited to view the week’s works and learn about the project.


Applications are being accepted on a rolling basis through July 9th.  Visit www.theworkoffice.com for details and an application.  Questions? Call 212-901-0659 or email to apply@theworkoffice.com.

A New Economy Smack Down (and Cash Bar!)
Posted by Emily Bowles, on April 30, 2009 - 0 comments
Tags: economy, economic impact, free event
From our friends at The Field and Galapagos Art Space:
 
Panel Discussion: New Economy Smack Down
Wednesday, May 13, 7pm
FREE with RSVP, plus cash bar
(to RSVP please 'sign up' and check out via credit card and just leave the card info blank)
 
Don’t be brought down by the economy, instead usher it in with an evening of lively debate, truth-telling, and prophesizing.  Join us to wrestle with the urgent issues and uncertainty that confront the performing arts community.  A key note address and panel of arts and business leaders will help set the stage for this impromptu evening of possibility.
 
Hosted by Robert Elmes, Galapagos Art Space, and Jennifer Wright Cook, The Field
 
PANELISTS:
     Moira Brennan, Multi-Arts Production (MAP) Fund
     Miguel Gutierrez, Miguel Gutierrez and the Powerful People
     Brian Rogers, The Chocolate Factory Theater
     Morgan von Prelle Pecelli, The Lost Notebook
     RoseAnne Spradlin, RoseAnne Spradlin Dance
     Jeff Hnilicka, Funding Emerging Arts with Sustainable Tactics (FEAST)
 

This event is part of The Field’s Economic Revitalization for Performing Artists (ERPA) program, supported by the Rockefeller Foundation’s 2008 New York City Cultural Innovation Fund.

Tonight! Panel on (Alternative) Arts Funding for Sustainable Creative Practice
Posted by Emily Bowles, on April 30, 2009 - 0 comments
Tags: economic impact, economy, free event

NYU Steinhardt Art Events and Exhibitions, Department of Art and Art Professions, is sponsoring a conversation between funders, artists, and activists:

(ALTERNATIVE) ARTS FUNDING FOR SUSTAINABLE CREATIVE PRACTICE
A Panel Discussion

Thursday, April 30, 7:00pm
NYU’s Barney Building
34 Stuyvesant Street @ 9th Street b/w 3rd and 2nd Avenues

No RSVP, Free and open to the public

The economic downturn has art critics (Cotter, Peers, Saltz, Hickey) discussing whether this morbid financial climate is beneficial for artists; will it relegate art as luxury and therefore become less accessible to audiences, or will art for art’s sake return now that art as commodity is less of an issue? Both sides of the debate seem to leave the artist’s pockets empty.  Selling art to make a living has become even more difficult during the recession, and the alternative options for financial support are just as dire: jobs that may fund artists’ creative practice are scarce, grant options are dwindling, and art institutions are holding on tight to their fortune. How are artists adapting to the economic crisis?  Is the economic crisis bringing the dysfunctional art system into even harsher light?  Are artists taking matters into their own hands?

This event promises to have a lively panel discussion that will address the shift in arts funding during the recession and concurrent issues such as democracy in the art system, the cultural discount applied to the artist and cultural producer, and advocating for new artist economies.

For a list of the scheduled panelists, including Fractured Atlas's very own deputy director, Tim Cynova, click here.

News, Theatres and Dance
Posted by David Johnston, on April 6, 2009 - 0 comments
Tags: nonprofit theatres, dance companies, economy

Friday's New York Times had an article about cutbacks in New York City's nonprofit theatres, like the Signature, Manhattan Theater Club and New York Theater Workshop.  Declining contributions, lower subscriber rates and increased numbers of discount tickets are all leading to cutbacks in programming.  In the coming weeks, we'll be sending a survey to our users - facilities and working artists.  How is the current economic climate affecting you?  Are you looking at fewer jobs, fewer rentals?  We want to hear from you. 


Also, in Sunday's Times, dance critic Claudia La Rocco wrote about the tough decisions dance companies with their own facilities are facing these days. For years, a room of one's own was considered the hallmark of security and stability in the New York arts scene.  Now, Dance New Amsterdam, Dance Theater Workshop and 3LD Art & Technology are finding that's not necessarily the case.

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