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All recent posts - tagged with 'performance space'
Blogging from The Road: Paramount Theatre, Seattle
Posted by Emily Bowles, on February 6, 2010 - 0 comments
Tags: theatre, performance space, blogging from the road

Courtney Jones worked at NYCPAS as Assistant to the Director for two years before embarking on the national tour of “WICKED” as an ensemble cast member. She is a graduate of SUNY Purchase College and has danced professionally in New York City with Jennifer Muller/The Works, among others. This is her eighth blog from the road (click "blogging from the road" in our tag cloud [right column] to see all her blogs!).

 

Believe it or not, five straight weeks of sunshine in San Diego left me yearning for a gloomy day, so heading to Seattle was actually quite exciting.  The moment I stepped into downtown Seattle, I immediately felt rejuvenated.  I remember thinking if my alma mater, SUNY Purchase, were its own city, it would be downtown Seattle.  Youth groups rallying on the street, local musicians playing their music on every corner and lots of energy. 

I was so inspired by Seattle that I did something I had not done since I had been on tour.  I contacted an old professor of mine who I knew had completed his MFA in Dance at the University of Washington to find out if there were any dance studios where I could take a class as a visitor.  He referred me to a wonderful space called Velocity Dance Center (thanks, Michael!). 

Professionally, Seattle brought changes to the cast of Wicked: we said goodbye to both Myra Lucretia Taylor, who played the lovely Madame Morrible, and Lenny Wolpe, who played The Wizard (see photo of cast on their final performance).  And we welcomed Randy Dawson and Richard Kline of "Three’s Company" fame!

 

The Paramount Theatre had a lovely charm, however the backstage layout proved to be more than difficult.  With only one elevator and the women’s ensemble dressing room on the fifth floor, visits to and from the dressing room were nearly impossible.   If you did decide to wait for the elevator, you would be waiting a very long time and risked the possibility of getting trapped, which happened on more than one occasion (sorry, Shanna!).

Since we were in the “Emerald City” and had played the house before, the audiences were knowledgeable and really great.  The staff members at nearby restaurants were used to our time constraints between shows -- they showed us great respect, and got us in and out with lovely service.  I would also like to thank the Taphouse Grill for letting me celebrate my 28th birthday there with the entire cast -- we had an awesome time. 

For those who have never visited Seattle, make sure you make it down to the Pike Place Market and, although I regretfully did not make it there, don’t forget the Space Needle.  Seattle was a beautiful and exciting city to play.  Thanks, Seattle.  I will definitely be back!

RFPs for New City Initiative
Posted by David Johnston, on October 5, 2009 - 0 comments
Tags: performance opportunities, nonprofit organizations, performance space, economic impact

Thanks for our friends at ART/NY for this heads up.  Following up on Deputy Mayor Patricia Harris' announcement last week at the Crain's "Future of New York" conference, the NYC Department of Cultural Affairs, in conjunction with NYC Economic Development Corporation, have announced RFPs for the five initiatives to strengthen the cultural sector in New York City.  (Read the Mayor's press release here.)  These five initiatives include increasing access to city properties for visual arts and performances, job training for displaced arts workers, and low-cost studio space at the Brooklyn Army Terminal in cooperation with Chashama. 

New City Hall Initiatives to Support Artists in NYC
Posted by David Johnston, on October 1, 2009 - 0 comments
Tags: performance opportunities, nonprofit organizations, performance space, economic impact, conference

Deputy Mayor Patricia Harris announced at a Crain's "Future of New York" conference on Wednesday a series of five new initiatives to support new exhibition and performance space in New York City.  Details forthcoming, but Crain's wrote up the announcement on its website yesterday.  

Discounted Rentals at the CSV Cultural Center
Posted by Kirsten Nordine, on August 24, 2009 - 0 comments
Tags: performance space, lower east side

The Clemente Soto Velez Cultural and Educational Center currently has times available in both of their performance spaces - the Flamboyan and Milagro theaters.  For one-day events and weekly runs they are offering 50% off for September rentals and 25% for early October!!


For details contact Jasmine Rosario, Facilities Manager, at jrosario@csvcenter.net

Blogging from the Road: The Orpheum Theatre, Omaha, Nebraska
Posted by Courtney D. Jones, on July 28, 2009 - 0 comments
Tags: rehearsal space, performance space, blogging from the road

Courtney Jones worked at NYCPAS as Assistant to the Director for two years before embarking on the national tour of “WICKED” as an ensemble cast member. She is a graduate of SUNY Purchase College and has danced professionally in New York City with Jennifer Muller/The Works, among others. This is her fourth blog from the road.

 

I had no idea what to expect from Omaha, Nebraska, having never been there.  I ended up having a lovely time in the beautiful Old Market of the city eating great food at Vivace and Stokes -- mmm yummy!  Another great highlight was having my firsts guests see me in the show. My best friend and her husband made the 3-hour drive from Kansas City to see the show! 


The Orpheum Theatre had quite a laid back atmosphere, one that took a little while to adjust to the WICKED "machine".  We definitely had to iron out some kinks and to make some adjustments. 

It’s common knowledge that WICKED uses lots of dry ice and fog machines, and when I say "lots" I mean lots.  Walking in the basement where the dressing rooms were located, you wouldn't be able to ignore the smoky ambience -- it resembled my first attempt at cooking.  Once your eyes adjusted to the smoke-filled dressing rooms and the Jekyll-and-Hyde temperatures, you could focus on the true convenience of the back stage area. 

During this month the tour was raising money for Broadway Cares/Equity Fights AIDS by auctioning off posters signed by the entire cast. We were able to raise over $50,000, which felt amazing! 

Since this was our first time playing Omaha, we had a lovely opening night cast party at the Magnolia Hotel.  Overall, our run at The Orpheum Theatre was filled with great times: Farmer’s Market shopping, Patrick’s Green Tea ice cream and late-night-snack shopping at Cubby's!

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